Tuesday, July 8, 2025

X-Men: The Manga and its No Good, Very Weird Government

I bought X-Men: The Manga Remastered the other day at Barnes & Noble. Narratively, it starts where the 90s animated series begins, on Jubilee as she runs from Sentinels that hunt an emergent mutant population. In order to end these discriminatory attacks, the X-Men make their way to a quasi-governmental facility that stores dossiers on mutants around the country. At first I thought, "Why would you have to go to a facility to do that? Can’t you just hack into their systems remotely?" Then it occurred to me: this story is set in the 90s. I’d almost forgotten what that world was like back then.

Paper documentation, especially at the government level, is a challenge I saw firsthand while working at a municipal court. My days were spent entering information, scanning, and filing it away for hours at a time. Need to issue a search warrant? Fax the judge. Need to collect payments? Send a certified letter. On the federal level, the government has tried to reduce paper processes: the Paperwork Reduction Act, the Paperwork Elimination Act, and several memoranda in recent decades (which points to the truism everyone knows by now: government is extremely slow to change). In the essay "The Filing Cabinet," Craig Robertson describes the archaic — and analog — filing process required for American federal workers to get paid, which can involve sifting through some 28,000 filing cabinets. Should everything be digitized nowadays? Can that be done? Who knows.

Here’s another weird example of inefficiency: SENTINELS. I didn’t think about how goofy these giant robot killing machines were growing up, but now I read X-Men and wonder, “How many are there? How much did the government pay these subcontractors to build them? What are the repair costs?”Considering there are no giant robots (we’re aware of) for commercial or military use, the only comparable product I’ve found is this $3,000,000 Tsubame Industries mech that resembles a really slow Armored Core. In a world where ICE raids are regularly conducted against illegal and migrant populations in the US, it’s obvious that a real government would spend big bucks to find perceived threats. Is this a good investment of our money? All I’ll say is the cost-benefit analysis of hunting mutants is clearly based in something other than a balanced budget. 

X-Men: The Animated Series. 1992. Marvel Entertainment Group.

Finally, the X-Jet is clearly an SR-71 Blackbird, an older stealth plane contracted by the government from Lockheed Martin. How this wound up in Charles Xavier’s hands depends on what version of the story we’re reading: he “obtained “ it from SHIELD, or Hank McCoy (aka Beast) built it, or it’s a modification of Xavier’s private jet. All scenarios imply massive security leaks pertaining to the design of a military stealth craft. As a telepath, Xavier could have easily wound up with the information needed to steal the plane or its schematics, but it also seems like a government fully aware enough to build giant robots for mutant hunting could also put more efforts into its security apparatus. 

Which brings us full circle to the X-Men raiding that facility for mutant records. The universe our heroes occupy may be full of hateful xenophobia, but luckily, the government gestapo is incredibly good at wasting time and money. 

Sunday, June 8, 2025

An Audience of One

Both of the manga I’m reading at the moment, Tune in to the Midnight Heart and Insomniacs After School, feature characters with personal broadcast radio stations via Internet streaming. I’m an avid streamer of podcasts, but that’s a slightly different flavor of online audio content that’s more curated and episodic than spontaneous. So, is this a thing Japanese high schoolers do? The short answer is, “I have no idea.” 

Tune in to the Midnight Heart. Masakuni Igarashi. Kodansha.

What’s interesting is that the protagonists in the aforementioned manga both maintain their closest relationships using streaming broadcasts to an audience of one person. If characters are confessing their feelings, it’s quite indirect when done through the radio. In my day, texting was the thing kids did; I guess radio is the new thing. I feel there’s a material difference in pretending you have an impersonal audience instead of just directly speaking to your friend. The question becomes, “Why do it this way?”

Modern dating is bad because men and women are doing a poor job of communicating or have nothing good to say. Many people blame the internet for creating information silos that breed stupid opinions and false facts, and this means men and women’s interior worlds are more easily exposed (and increasingly appalling to one another). Because much of our human interactions are mediated through text, I'd say that from a communications theory standpoint, the issue is this: sending texts is information-deficient when compared to radio — even an indirect broadcast conversation — because our voices carry messages through tone and volume, clarifying the intention of our speech. Text, as anyone who’s ever sent one can share, is notoriously hard to interpret even when intentions are good. It’s also easier to be an asshole when hiding behind your keyboard or firing off a quick message without thinking twice. I feel like using our voices is an extra level of personal investment and confidence that helps us be judicious with our words. (Unless you're Alex Jones, of course.)

Insomniacs After School. Makoto Ojiro. VIZ Media.

Radio broadcasts to my wife sound like a cute idea, but would quickly grow old because we already live with each other. For high schoolers who want to treat radio as a form of public journaling and indirect confessional, however, the practice seems harmless. If you don’t want your parents to see your call history, it’s certainly one way to avoid getting into trouble for talking late into the night. Ah, the beauty of being young…

Wednesday, May 14, 2025

Happy Blogiversary!

It’s been a year since the relaunch of this blog! Most of my anime consumption was a blur of late-night delirium while caring for my newborn. I haven’t been blogging as much as I hoped to, so I’ll share my current otaku consumption habits. Get ready for a super post!


CURRENTLY WATCHING: Witch Watch

Basically, each episode boils down to Nico the witch causing mayhem wherever she goes by casting magic spells to impress Moi, her childhood friend. I’m always looking for reasons to justify my OtakuUSA magazine subscription, so when I read about Witch Watch earlier this year, I had to tune in. The feature article promised a slapstick comedy, and the show doesn’t disappoint. My wife certainly likes the show (and she hates anime), so I know it’s good. Some of the jokes don’t land if you’re not super into Japanese media references; it’s just an excuse for me to do research in the future. Recommend.


CURRENTLY WATCHING: Anne Shirley

Remember that post I did on cozy anime? Anne Shirley is that kind of show. I remember my wife watching Anne with an E on Netflix, so she was excited to see this anime adaptation (which itself is a reboot of an older anime, which is ultimately based on a book I haven’t read). I think Anne is adorably melodramatic as a character, and I identify with her need to see wonder wherever she looks in the world. Life isn’t perfect but it is worth celebrating. Recommend.


CURRENTLY WATCHING: Ranma 1/2

Being familiar with Usurei Yatsura, I know that Rumiko Takashi’s style of rom-com is fun and cute. Ranma is enchanted by an ancient pool haunted by a drowned girl, and now he turns into a girl when touched by cold water. The hijinks, however, begin once his fiancee, Akane Tendo, learns about this alter-ego. I wondered about the sensitivity this story would bring to what is literally a transgender tale, but as with many good comedies, the ensuing absurdity and refrain from "punching-down" disarms a lot of potential discourse. Recommend.


CURRENTLY READING: Tune In To the Midnight Heart


I liked Quintessential Quintuplets; my wife was upset by the ending, and I understand why. If you were disappointed by Quints, I think Midnight Heart is for you. Taking the same playbook and adding ten times the humor, Yamabuki joins the Broadcast Club seeking a girl who he confessed to years ago; this girl is among the club's four female members. I can't overstate how much I like this manga. Every girl seems like she could be "the one," and although my favorite pairing is with Nene Himekawa, I don't feel there's a bad choice among them. Did I mention how funny this is? Recommend


CURRENTLY PLAYING: Tsukihime


After playing
Fate/Stay Night and all its routes, I thought another Type-Moon production would round out my understanding of this elaborate magical universe. Unfortunately, Tsukihime isn't my jam so far. The charm of Fate was an elaborately designed tournament with central characters who play well off each other and are also interesting themselves. Now, I wouldn't say Tsukihime has boring characters and a dull story...but it does. Fate's Shirou Emiya is compelling and complex in ways I've never seen, a character filled with a pathos that makes him frustrating and fascinating to follow. Maybe I'm impatient, but I'm not seeing that same appeal in this game yet. Can't recommend.

Alright, that's enough post for now. May's a super busy month so far, but I'd like to write more. Stay tuned!